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What’s your impression of the author if the Inheritance Cycle? [Note – no direct flaming. Let’s keep it civilized.] I’ve gotten the gist that he’s a bit arrogant…but who can blame him? I mean, all flaws aside, his books have become quite popular. Do you think his books would have less criticism if he acted more modest? I’m sort of interested about the book/author relationship here and how it affects the view of the writing, so yeah. No insulting him and all that.
Yeah, I guess that’s one good thing about him. All other things aside, he has passion for his story. You can tell that he’s really immersed in Alagaesia and everything. Not a good job of showing it, but that’s better than what some authors have.
Which overrides all else.
I bet he really is a nice guy, but…his arrogance makes it look like he’s not. For instance, in that interview (that SlyShy posted a couple of months ago on the site) Paolini basically refused to answer every question, saying it would give away the plot. That really bugged me…CP may just have wanted to keep his fans excited and not spoil things for them, but it came across as him thinking his story was too important to give away anything about.
He’s a nice guy, I’m sure. I wonder about how immersed he actually is, though. He had a lot of trouble answering factual questions about his own story in that interview I commentated on. Asking the interviewer to spell the made up word for him? That’s just bad form. It’s said a writer should have exhaustive and godlike knowledge of his world, and be able to answer any relevant question. The problem with Paolini’s world is that he’s filled in so much pointless information that’s it’s no longer possible for him to have exhaustive knowledge, and what’s more, it’s no longer clear what questions are relevant.
It’s said the reader will only ever see 10% of the world building you’ve done. Well, Paolini tried to increase it to about 50% with disasterous results. The reason we only see 10% is because that’s about as much as we care about—we are reading for the story, after all.
When asking that interviewer to spell out the word, I got the impression that he was stalling for time to think about it.
I wouldn’t use the word arrogant to describe him, more smug, since he seems a bit unsure about his awesomeness to me (why he always gives all the genre conventions when asked about his world).
It’s the old T.S. Eliot saying, “Good Poets Borrow, Great Poets Steal”. Paolini isn’t confident enough to steal—he still borrows from the genre.
Arrogance is brilliance. All great men are egoists inside.
CP has much to learn but it’d be retarded to go ahead and hate him for being famous. Other people think he’s great, we don’t, deal with it. I do think he focuses to much on tthe surface details of his work, not the substance.
Eh. I think you’ll find many of the most successful people are very humble. Success derives primarily from a good work ethic. Studies have shown that academic success is most determined by the ability to delay gratification, and not intelligence. Albert Einstein was famously humble, because he didn’t think he had a mind for mathematics—every proof took him ages to do, but with enough sustained effort it was possible. Similarly Andrew Wiles, who proved Fermat’s Last Theorem, did not attribute his success to any merits of his own.
The average person’s mental image of humbleness is different though. They suppose that having knowledge of your own abilities and believing you can succeed at anything with determination is equivalent to arrogance. Therefore if you say anything like, “I’m going to do X” and ‘X’ is something hard, they suppose you are arrogant without thinking that you mean you are going to put effort to get there.
I would argue most acts of humility are dishonest because most people try to show they are humble to appeal to its positive appeal in others.
I would argue most acts of humility are dishonest because most people try to show they are humble to appeal to its positive appeal in others.
That’s certainly plausible.
Anyone who talks about seeing Rowling “spread her wings” without having a quarter of her talent is pretty arrogant.
Or at least comes across that way. Maybe he just finds it hard to articulate himself and appears egotistical as a result.
How do you judge talent, that is the question?
There maybe very brilliant people who don’t go for contests or prizes who may yet be more talented than we ever know.
I hate the word “talent” btw, but that’s another story. I think talent is a lie; there is only following your gifts or letting them go to waste, and that requires focused work.
Anyone who talks about seeing Rowling “spread her wings” without having a quarter of her talent is pretty arrogant.
I’ve been kind of divided about this. I mean, sure, it could be interpreted that way, but it’s not like other people haven’t talked about how Rowling has improved. Lots of book reviewers don’t have 3% of the talent of the authors they are reviewing.
Paolini is definitely sheltered though.
I’d say that Paolini isn’t particularly taken with world building because there are so many lapses. The ancient language is a fairly shoddy, the magic system is out of hand, and whole “heart of hearts” idea is simply idiotic (I mean a proud, ancient, independent race of dragons have built into their biology a mechanism that seems to serve no purpose other than letting humans take advantage of them). I think Paolini regards his world the same way a child regards a playground. It’s a place where he can let his imagination run wild and have fun without worrying about what makes sense or what really should happen, where he can recreate his idea of an adventure. And so we have a main character who can learn to read in a few weeks, become a master swordsman in a few months, and learn to write epic poetry in a whole other language in (about) a year. And while the world does have some very vivid, imaginative elements, it also relies a lot on cliche and, in the end, doesn’t make all that much sense (see the leather-wearing vegan elves)
I think talent is a lie; there is only following your gifts or letting them go to waste, and that requires focused work.
I agree somewhat. The problem with Paolini, I think, is that he’s so full of himself that he doesn’t try to improve. He has some natural ability, but his early success has made him think that he doesn’t need to put work into developing it.
@ RVL
Yea, what Tolkien did was masterful, and I don’t really expect anybody to match it, even if they had his (impressive) qualifications. But if you want make your own language more than just a cypher for english, a working knowledge of a real foreign language is a good place to start. Now, I don’t think there’s anything wrong with a shallow constructed language, particularly if it isn’t all that important to the story. But if Paolini was driven by the desire to create a deep, intricate world (like Tolkien clearly was) he would have taken efforts to make the language sound plausible. There was (is?) and article on the other anti website taking it apart, if you can still access it.
About the language, the thing is, I’m not sure if Pao Pao based it off an existing languages.
The grammar is the same as English. :P
I’d say that Paolini isn’t particularly taken with world building because there are so many lapses. The ancient language is a fairly shoddy, the magic system is out of hand, and whole “heart of hearts” idea is simply idiotic . I think Paolini regards his world the same way a child regards a playground. It’s a place where he can let his imagination run wild and have fun without worrying about what makes sense or what really should happen, where he can recreate his idea of an adventure. And so we have a main character who can learn to read in a few weeks, become a master swordsman in a few months, and learn to write epic poetry in a whole other language in (about) a year. And while the world does have some very vivid, imaginative elements, it also relies a lot on cliche and, in the end, doesn’t make all that much sense (see the leather-wearing vegan elves)
What’s wrong with the bolded?
@Complete Bastard
>What’s wrong with the bolded?
It only works if he’s the only one who ever reads the story.
Plenty of authors do that bitch.
Hey, calm down, man. :)
I agree with Ari, here. Go ahead and be a bastard, but do you need to be a vindictive bastard? We’re all just having fun, here. =/
high five Someone agreed with me, hehe.
Oh, okay. CP faps to his sister, what a douche. CP can’t write because I don’t like him. Never mind the fact that plenty of great authors do the exact same thing, CP is an exception to the rules because I don’t like him. I am not a hypocrite in the very slightest because the truth doesn’t matter to me as much as me enjoying myself. I will not say what really bugs me about his story, but make points that are easily dismissed with an objective glance. And when someone does do it, I will call him a party pooper.
What’s wrong with the bolded?
Human readers relate to human experiences. The point of story telling is to connect with the fundamental human experiences within each of us. Even in the wildest science fiction and fantasy we relate everything back to our own experiences and understandings (See Robert McKee). By making a flimsy world Paolini creates a terrible story.
Yes, the ‘bitch’ was just a bit too much. Makes me read all of your posts in an ‘out-of-breath yelling’ kind of way.
Yes but there’s nothing wrong with those things and it’d be disingenuous to even imply that. CP failed because he couldn’t write a good story. Plenty of great authors do those things and still succeed.
Yes, because that totally was using ‘bitch’ in the same tone as ‘you retarded bitch”. I wonder if all you wonderful, critical readers are really that critical in the first place?
Yes but there’s nothing wrong with those things and it’d be disingenuous to even imply that. CP failed because he couldn’t write a good story. Plenty of great authors do those things and still succeed.
No, by including all his pointless worldbuilding he slowed the pace of the story, diluted it, and wrote himself into corners. Why was Eragon better than Eldest? Because it was faster and it stuck to the story. And the reason it had those two advantages is because we learned less junk about Alagaesia during Eragon. Paolini’s getting worse though—he thinks his fans read his books for the worldbuilding, so each book is going to get slower and more filler filled.
Why does the plotline get as absurd as it does? Because of the ridiculous power escalation Paolini built into his world. Just as Character and Plot are interconnected ideas, so are Plot and Setting.
No, by including all his pointless worldbuilding he slowed the pace of the story, diluted it, and wrote himself into corners.
Ding ding ding, winner.
But the way the other users write it his story might magically become better if he built a “better” world or whatever, It doesn’t matter what world he builds, if his story sucked it would still suck. Now they’ve entered the realm of “this is what I would do differently”, which isn’t the same thing, and kind of idiotic IMO.
Are you saying plenty of good authors bitch? Then you’re missing a hyphen or something. ‘Plenty of good authors do that – bitch’.
Well, most friends I hang out with joke around pretending to be rappers. By not using a comma before “bitch” it gives that same ignorant tone.
What’s wrong with the bolded?
It leads to a dull and unbelievable story. It means that Paolini must now invent silly plot devices in order to keep the story from falling apart. And most people don’t find Paolini’s world building nearly as interesting as Paolini himself does.
According to Ursula LeGuin she doesn’t plan much. Her world, characters, and plot are all built upon each sentence she writes. In essence, she is playing with paper and giving her stories form. So basically she starts with:
The tombs of Arkhezud crumbled, and from their ruins emerged the Darkness.”
And, not knowing anything initially at all, builds an entire story from following the rhythm. Yet her stories seem well-written and vivid. Why? I thought these were all bad things?
Well, if that is the case, wouldn’t it be better to take that into consideration?
Plenty of fine stories have characters doing remarkable “stu“ey things and still succeed. So then, as readers, we must even be critical of our first impressions. Why does this work bother me, really, and what can I do to avoid this in my own writing?
I suppose I should get into the habit of qualifying every statement I make with a “can”. It can lead to a dull and unbelievable story.
I haven’t read Ursula LeGuin (could you recommend a title for me?) but if it works for her, I’m in no position to argue. She may have the skill and experience needed to let work flow from initial inspiration without a lot of editing, crafting, or second guessing (though I’d be awfully surprised if she didn’t have to revise her original ideas at all, if not in the first then in subsequent drafts). But I think it’s fairly clear that Paolini doesn’t. He (and most of us aspiring writers) needs to plan and think our worlds through before we write anything so that we don’t have to pull a “hear of hearts” out of our ass.
I recommend her Earthsea series, and the compilation The Compass Rose.
About Le Guin: The reason she was able to pull it off is that through whatever magical process she employed she became immune to cliche. If someone like Paolini tried to write the way she did they wouldn’t truly be writing without a plan. They have a plan already planted in their minds, and the plan is likely a cliche they picked up in prior reading.
She isn’t magical. Everyone has a different way of invoking their creative processes.
I too find it easier to go with the rhythm of a story. Which is why I don’t think simply changing a few details of his world will improve him in the slightest. His story feels false—but that’s not the real reason why.
I personally do my worldbuilding as I write – as I keep exploring my world I come up with new ideas and discover new things, and with every subsequent draft it becomes a bit more deep, a bit more realistic….I feel like an explorer sometimes, on the verge of a great discovery. :) CP doesn’t seem to do that; his world is all shallow, one draft sort, you know? I can see right through it and the reflection is as dark as a “forgotten pool” lol.
The biggest problem with CP’s world, IMO, is simply that he didn’t spend time poking holes in it first. It’s like if you try to make a video game but never have any testers- when you run through the game, you might not notice any bugs because you know how to play the game. But all of the bugs become very, very apparent to the game’s players, because they are going to go off the beaten path and get stuck in that one part you never thought of testing. If he had just taken the time to sit down and work out the world thoroughly before he started, I think a lot of problems could have been avoided. (although the reason it turned out the way it did is probably because he was very young- 15-year-olds are simply not good world-builders. Which is why I am singularly unimpressed when someone raves about a teenager that wrote this fabulous book.)
I agree, changing a few details in his world would not help him. Rather, he should learn to see his world and his characters outside the terms of his plot. Learn to think not only about what happens, but why it happens and what the consequences are. I compare Paolni to a child playing make believe because events in his story seem to happen for no reason except that he wants them to, and with no consequences except the ones that he wants them to have. This is fine if he’s only out to entertain himself, but it’s not nearly enough if he wants to tell a true story.
@ SlyShy:
“Anyone who talks about seeing Rowling “spread her wings” without having a quarter of her talent is pretty arrogant.”
“I’ve been kind of divided about this. I mean, sure, it could be interpreted that way, but it’s not like other people haven’t talked about how Rowling has improved. Lots of book reviewers don’t have 3% of the talent of the authors they are reviewing.”
True. But.
If you haven’t been in the business for long, you shouldn’t condescendingly criticise people; you should just give your opinion. Take all precautions against having something you said used against you. This is essentially my gripe about this aspect of Christopher Paolini, because he hasn’t been sensible, dammit.
@CB
“According to Ursula LeGuin she doesn’t plan much. Her world, characters, and plot are all built upon each sentence she writes. In essence, she is playing with paper and giving her stories form. So basically she starts with:
The tombs of Arkhezud crumbled, and from their ruins emerged the Darkness.”
And, not knowing anything initially at all, builds an entire story from following the rhythm. Yet her stories seem well-written and vivid. Why? I thought these were all bad things?”
Why are these bad? Sorry if I’m getting a little off-topic with this one. Just detour around me, guys.
If you haven’t been in the business for long, you shouldn’t condescendingly criticise people; you should just give your opinion. Take all precautions against having something you said used against you. This is essentially my gripe about this aspect of Christopher Paolini. Plus he’s a lot younger, and what happened to respecting your elders?
Very few of us are actually published writers lol.
Why are these bad? Sorry if I’m getting a little off-topic with this one. Just detour around me, guys.
I’m wondering myself. Apperently the writer is supposed to be a god but not a god at the same time.
1) Even writers in the business can afford to criticize, happens all the time.
2) Get outta here, you’ve gotta be shitting me!
1) I’m an ignorant teenager; of course I’m going to generalise and say stupid/inaccurate things at some point in time!
2) see 1)
o okay
This is a moment we must commend.
Good job, minions. evil laugh
joins the commendation crowd
I’d like to note that Stephen King criticized Stephanie Meyer. And it was hilarious.
Back, was asleep.
I think that’s excusable.
You would.
Because I’m just so damn reasonable, aren’t I? I gotta stop doing that. It ruins my image.
Say what you must.
Okay. You’re still speechless. muses You’re unusually tolerant today.
he’s speechless again. Or he fell asleep.
Or he has a life.
Oh, shut up. This stings because I’ve been on here for four hours straight. And I have an exam tomorrow.
Took a dump.
cringes I was just about to go to bed and now I can’t or I’ll have that in my head the whole time.
lol
Lol, I read Anna Karenina and I think about a hundred pages of it were devoted to Tolstoy’s opinions on farming, religion, etc.
Ah, you’ve read it too? Yeah, Tolstoy does that a lot, which I guess I didn’t mind. It’s an interesting look into contemporary Russian thought in those days.
Yeah, I read it. I was trying to find War and Peace but I ended up with Annie.
Have you read ‘The Portrait of a Lady’ by Henry James?
Well, apart from being cool, you could just be a complete bastard. Which would you hate more, normal “I want to be cool like everyone else does” CP or “I really don’t give a fuck what you think” CP?
I understand that CP is a little arrogant, but I think part of that comes from the way he published. Had he submitted it to an actual publisher and editor the first time, then he would have to do what the rest of us mortals do: wait ten months for it to go through the slush pile and then have it come back dripping red ink. It would have been better for both him and his books if he’d had someone point out all his flaws. Yes, having a supportive family is nice, but if your parents set up a publishing company just to publish your book, you’re skipping the entire process that makes your book good. Not only that, but then he became famous anyway. So now he thinks that not only can he do it once, but he can do it three more times. And since he has millions of fans, he’s being protected. If everyone hated him, then he would have to wake up to his flaws. But he can’t, because he has a huge fanbase. So not only has he enjoyed tremendous popularity extremely young in life, but his ego is constantly fed by fans and he doesn’t have anyone to snap him out of it. No wonder he comes off as arrogant! He can’t help but be so!
Wow, long paragraph. Carry on.
I think his parents’ company published some books before Eragon, though. But still, it was rather handy.
Let’s burn his parents at the stake because him getting the easy road somehow stops us from following our own ends.
I’d actually like to see one of the older drafts of Eragon the his parents’ company printed, just to know how much changed after a big publisher took the book up and set an editor on it.
His mom goes to college
Napoleon Dynamite reference.
(Gah I hate that movie!)
@swenson. Well, it figures. I just kinda wanted to know how harsh the editors were willing to be with Paolini before he became the perpetually 16-year-old golden goose.
I’d like to compare them too… I wonder if there’s any digital copies online?
Purchase it and spork it. That would be awesome.