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I have a lot of stuff that I know I need to re-write before it will be any good. Sometimes it involves switching from typing to longhand, sometimes it’s swapping around a few plot points, sometimes it’s even changing the POV.
I’m terrified of re-writing. Any tips?
Even if I haven’t even finished a first draft?
It’s like, to keep going, I need to re-write everything.
Well ideally you want to finish your first draft.
So is it honestly worth finishing something even if I cut most of it?
Then again, at least I HAVE finished something. And F. Scott Fitzgerald cut tons from The Great Gatsby.
Of course.
You could just continue as though you’ve already rewritten your plot, then rewrite it to make sense when you come to edit it later.
Will work in some cases except for one where I’ve already written part of the middle and stuff first. I’m shuddering at a thirteen-thousand word rewrite. I might use Virgil’s method for that.
I think I talked about it on IW if you-all want to head over there and talk about me.
Thanks for the idea, though, Moldorm. I can use that on one of them.
Kyllorac, you must be new, but I love you already. hugs
hugs RTT for old-time’s sake
hugs back for…
actually, let’s not get carried away. let’s try to stay on topic for once.
I’ll have to think of that.
I hope that was coherent. x_X
Of course it was. I don’t think I’ve seen you around before, so welcome to the forums!
We have that effect. You just ran smack into the site bimbo and one of her many beaux.
MANY?!
You said…but I…you…
I feel a single shining manly tear coming on.
I thought you threw away the seduction guide.
The bimbo is not impressed
...
You underestimate yourself. A bimbo wouldn’t have noticed such a subtle and easily-overlooked detail.
Kyllorac you are awesome at giving advice so far, you should probably write some articles. Hugs
Rewriting is hard. I never wrote second drafts for anything in school, except for CW class finals where it was required. What I’m doing now is trying to avoid forcing in sensory details or pretty language except when they strike me or they’re totally necessary, and focusing on dialogue and character actions just so I can see if those work.
Theoretically, once I’m done with the first draft, I can go back to the start and add the things that were more or less omitted, while at the same time smoothing out and paring down the stuff I already had. I’m just worried the stuff I left out is going to inflate it too much, since its already at 65k words after 17/~30 chapters.
All that stuff Kyllorac said was great.
I’ve been thinking alot about rewriting…my first draft isn’t done yet, but I want to have it finished by the time November is over…and then on to the great frontier of editing.
Yes, I am terrified too. Half the stuff I’m probably going to have to take out and change and I hate doing that.
Question: how do you maintain continuity with all these changes that you make?
Question: how do you maintain continuity with all these changes that you make?
I’m gonna do like RTT said and make a cut document, and any major alterations I make to the first draft are going to be in other colors, I think. Beyond that, I guess you just have to pay attention and reread often.
I love you all so much I think. Thanks for a) staying on topic, and b) giving such great advice.
Yeah, I love II- fun people who actually give good advice.
@sansafro: I like the color coding idea…and maybe I could read through my draft, make a master plot chart, and then track any changes that I make as I go along, so I know what I’ve been doing.
I could read through my draft, make a master plot chart, and then track any changes that I make as I go along, so I know what I’ve been doing.
That seems like a good idea. It seems like the more documentation the better when it comes to editing. Speaking for myself at least, there are some things I came up with out of nowhere in later chapters that should have logically been introduced in earlier chapters, and if I’d had any sense I would’ve made note of them. Hopefully I can remember them all :x
Yeah, I don’t really want to be rummaging through my document, seeing what I wrote in this spot, especially if I end up with a long manuscript.
Yeah. I already know I’m going to go back and manually edit names that I changed from chapter to chapter :/ If I’d just written them down I could do a find+replace at the end, but noooo.
Phillip Pullman does a draft, then posts all major scenes on post-its on a big wall so he could rearrange them. So did Mignon Fogerty (Grammar Girl).
Yep, sounds like a good way to organize.
I tried it once, but I went too detailed and I hadn’t even finished the story yet. Stupid me.
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